本文素材来自Klimt02国际艺术首饰网站：www.klimt02.net

和Viktoria Münzker Ferus艺术家页面：

https://klimt02.net/jewellers/viktoria-munzker

若有疑问，可邮件yuxi@klimt02.net

Viktoria Münzker Ferus

Viktoria Munzker Ferus是一名出生于斯洛伐克的艺术家，生活和工作在奥地利的维也纳。她毕业于法国布拉迪斯拉发艺术学院，并在同一所大学获得硕士学位。Viktoria曾获得“Azur”珠宝艺术大赛一等奖，并经常出现在国际展览上。她的作品还发表在各种出版物上，如《2012当代珠宝年鉴》和《500条新项链》。Viktoria Munzker在奥地利和斯洛伐克都有画廊。

胸针 Silvanus, 2020
Mangrove wood, silver 925, citrine, tourmaline quartz, velvet, micro-granules.
12 x 7 x 5 cm
From series: Mutations

Stone faceting, metal forming, soldering, mounting.

胸针 Floris Papilio, 2020
Plum wood, silver 925, amber, labradorite, agate, micro-granules.
15 x 7 x 3.5 cm
From series: Mutations

Wood and stone carving, stone setting, metal forming, soldering, mounting.

胸针 White Trillium, 2020
Plum wood, silver 925, citrine, agate, amethyst, micro-granules. Wood and stone carving, faceting, stone setting, mounting.
10 x 5 x 4 cm
From series: Mutations

Wood and stone carving, stone setting, metal forming, soldering, mounting.

珠宝对Viktoria Munzker Ferus来说是一件可以用非语言方式交流的物品。珠宝会发出信号，源于思想、观念和概念的信号，它们在空间中跳动并交流。Viktoria的主要想法是把首饰作为一种物体，通过佩戴在人体上成为它的力量。

Viktoria经常从大自然中获得灵感，大自然在千万年的时间里使它的形体臻于完美；模仿他们的创作对她来说是很自然的。她感兴趣的是生物和非生物元素和系统之间的相互作用。

这种转换是关于这两个系统的共生关系。动物在艺术中的变形包括史前动物、图腾动物或昆虫。这些大自然的创造改变了我们人类、我们的内在生活和灵魂。

Viktoria的灵感来自天然的石头和生物形态，她用天然宝石(萤石、黄玉、霰石、青金石、海蓝宝石、石榴石……)、琥珀、珍珠、银和铜来改变活动物在珠宝首饰中的形态。

许多人相信通过蜡烛、水晶和香精等特定的东西，丰盛就会到来。对Viktoria来说，制作珠宝就足够了。富足就像一个永不停息的灵感海洋，海里有珊瑚，还有金黄色的琥珀。她把它们成对地组合在一起，组成了一件珠宝作品。

手镯 Viridis, 2019
Spruce wood, glass beads, brass, micro-granules, acryl lacquer.
14 x 14 x 3 cm
From series: Cycles of Nature

手镯 Austrum, 2019
Spruce and olive wood, brass, glass, ink, micro-granules, acryl lacquer.
14 x 14 x 4 cm
From series: Cycles of Nature

手镯 Caesium, 2019
Spruce and beech wood, brass, glass, micro-granules, gold leaf, ink, acryl lacquer.
16 x 13 x 3.5 cm

From series: Cycles of Nature

手镯 Sicarius, 2019
Spruce wood, glass beads, steel, micro-granules, lacquer.
13.5 x 13 x 2.5 cm
From series: Cycles of Nature

手镯 Luteus, 2019
Spruce wood, brass, glass, micro-granules, ink, acryl lacquer.
12.5 x 12.5 x 2.5 cm
From series: Cycles of Nature

手镯 Cyclamina, 2019
Spruce wood, beech wood, glass beads, brass, micro-granules, lacquer.
14 x 14 x 3 cm
From series: Cycles of Nature

手镯 Cyclop, 2019
Spruce wood, brass, 3 pearls, micro-granules, ink, acryl lacquer.
12 x 12 x 2.5 cm
From series: Cycles of Nature

手镯 Symphonia, 2019
Spruce and beech wood, steel, glass, ink, acryl lacquer.
14.5 x 13 x 6 cm
From series: Cycles of Nature

白银和黄金、玻璃和宝石、建设和情感、解构主义和结构。他们剥离了珠宝的表皮，暴露了结构，他们在新的体量周围创造了第二个表皮。这个结构被破坏了，表面充满了各种形状，然后通过相互扭曲和扭曲的方式施加压力。内部与外部之间，原有与新增之间，结构与立面之间。纯粹的形式以一种揭示其扭曲和分裂的结构的方式被审问。这种明显的混乱实际上构成了珠宝首饰的主体。内部的混乱甚至在分裂的时候也产生了棒子。它实际上是由那个世界的碎片构成的。表面是内部扭曲几何和外部几何之间对话的一个副作用。

胸针 Cycles of Nature, 2019
Brass, driftwood, disthen, ammonite, silver 925, micro-granules, ink, steel.
11 x 9 x 3 cm
From series: Cycles of Nature

项圈 Animal Instinct, 2019
Brass, bronze, driftwood, rubies, silver 925, rabbit skull, mother of pearl, ink, micro-granules.
27 x 18 x 7 cm
From series: Cycles of Nature

项圈 Orchid Avatar, 2019
Bronze, driftwood, emeralds, silver 925, agates, mother of pearl, micro-granules, ink.
25 x 17 x 4 cm
From series: Cycles of Nature

胸针 Absentia Homine, 2019
Driftwood, brass, old glass stone, steel, ink, acryl lacquer, micro-granules.
15 x 10 x 4.5 cm
From series: Cycles of Nature

胸针 Sunset, 2019
Driftwood, silver 925, steel, glass beads, micro-granules, ink, acryl lacquer.
14 x 10 x 4 cm
From series: Cycles of Nature

胸针 Cycles, 2019
Beechwood, silver 925, gold 14kt, rock crystal, micro-granules, glass.
13 x 5.5 x 2.5 cm
From series: Cycles of Nature